In addition to the new versions of PhotoLab 6 and ViewPoint 4, today DxO updated their Optics Modules and added support for four Pentax lenses (DxO offers more than 77,000 camera and lens combinations):
Additional information can be found here:
DxO Labs, the company that invented optical corrections for digital photography, has completed its detailed analysis of nine new lenses and added them to its list of supported equipment.
DxO now offers photographers access to more than 77,000 camera and lens combinations across its software — DxO PhotoLab, PureRAW, ViewPoint, FilmPack, and Nik Collection — offering unrivaled quality.
Photographers receive corrections that are tailor-made for their specific equipment as each new Optics Module is created from individual camera and lens combinations — not simply the lens on its own. As a result, DxO offers the most complete and high-quality approach to optical correction.
The latest update — available now — includes the following lenses:
“We’re committed to giving photographers the best possible results from their gear, and we’re delighted to add these nine new lenses,” explained Marie-Catherine Fargnoli, DxO Product Owner and Laboratory Manager. “DxO has never used off-the-shelf lens corrections and no other software company matches the quality that we’re able to achieve through the work carried out in our laboratory.”
Almost 20 years ago, DxO created the world’s first lens corrections in its unique, purpose-built laboratory. Today, DxO’s Optics Modules continue to lead the industry thanks to their quality and precision.
DxO creates an exclusive set of characteristics as it assesses lenses and cameras together, rather than simply assessing a lens on its own. These bespoke optical corrections offer two significant advantages:
DxO Optics Modules also correct the following imperfections as standard:
In addition, DxO’s Optics Modules are the only way to benefit from anamorphic deformation compensation — exclusive technology that restores the natural proportions of a scene or subject after it has been distorted by a wide-angle lens. This means that using shorter focal lengths is no longer an issue when photographing large groups of people (particularly at weddings), or in landscape and architectural photography.
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